首页> 外文期刊>H-ermes. Journal of Communication >La solitudine del corpo. Il terrore dell'incomunicabilità nell'immaginario audiovisivo di genere = The solitude of the body. The terror of incommunicability in the audiovisual genre imaginary
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La solitudine del corpo. Il terrore dell'incomunicabilità nell'immaginario audiovisivo di genere = The solitude of the body. The terror of incommunicability in the audiovisual genre imaginary

机译:身体的孤独。视听假想类型中不可沟通的恐怖=身体的孤独。视听类型假想中不可沟通的恐怖

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The solitude of the body. The terror of incommunicability in the audiovisual genre imaginary. Starting from a definition of sci-fi imaginary as a space where it is possible to "reinvent reality as fiction" (Baudrillard 1980), the posthuman metaphors (Braidotti 2014) highlighted by recent sci-fi works turn into privileged witnesses of the contemporary rewriting process of the human body, a process which also involves its communication capabilities. In particular, this paper aims to underline, through a joint analysis of three films which are alike in the same narrative genre as in a particularly innovative way of representing the relational dimension of human body, the main role played by the fear of the incommunicability in the postmodernity context, where the meeting point between sci-fi imaginary and social conflict narratives has been confirmed further. The image of a human body affected by the fear of losing its medium vocation comes out from the lonely clone of Moon (Duncan Jones, 2009), from the progressive annihilation of the five senses narrated by Perfect Sense (David Mackenzie, 2011), and from the romance between a young man and an A.I. which leads Her (Spike Jonze, 2013). Its narrative and symbolic isolation definitively mirrors the human sense of disorientation towards his new posthuman dimension.
机译:身体的孤独。视听类型假想中不可沟通的恐怖。从对科幻小说的定义开始,即可以“重塑现实作为小说”的空间(鲍德里亚1980),最近科幻作品所强调的后人类隐喻(布莱多蒂2014)成为当代重写的特权见证者。人体的过程,也涉及其交流能力的过程。尤其是,本文旨在通过对三部相同叙事类型的电影的共同分析,强调一种以创新的方式来代表人体的关系维度,来强调恐惧电影中不可沟通性的主要作用。在后现代性背景下,科幻小说和社会冲突叙事之间的交汇点得到了进一步确认。害怕失去中等能力的人的形象来自孤独的月亮副本(邓肯·琼斯,2009年),完美感官叙述的五种感官的逐渐消灭(大卫·麦肯齐,2011年),以及从一个年轻人和一个人工智能的浪漫中这导致了她(Spike Jonze,2013年)。它的叙事性和象征性的孤立性最终反映出人类对他新的后人类维度的迷失感。

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