首页> 外文期刊>H-ermes. Journal of Communication >Il sentimento della paura nell’immaginario collettivo: il caso Disney-Pixar = The feeling of fear in the collective imaginary: The Disney Pixar example
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Il sentimento della paura nell’immaginario collettivo: il caso Disney-Pixar = The feeling of fear in the collective imaginary: The Disney Pixar example

机译:集体想象中的恐惧感:迪斯尼-皮克斯的情况=集体想象中的恐惧感:迪斯尼的皮克斯的例子

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The feeling of fear in the collective imaginary: The Disney Pixar example. The contemporary scientific debate, in particular starting from the last decade of the last century, has been, often, about a rampant colonization of cognitive sciences. It’s known that the disciplines linked to this scientific field tend to explain the human behavior starting from the analysis of the process that happens in the brain. Thanks to the new techniques of brain studies (like fMRI) it’s possible to establish a material base, which lends itself to the empiric experimentation, to scientific studies of topics like awareness, feelings and emotions, traditionally associated to the purely metaphysical research. Between the basic emotions, or primary emotions, there is fear. In recent years there’s been huge publishing productions of scientific articles on this topic -And it’s easy to understand considering this big paradigmatic change happening- orienting the thoughts towards a different perspective of cognitive type. The object of this work is to comprehend in which terms the emotion of fear is been defined and told in the scientific contemporary debate, with a particular attention to the sociological approach. To be more specific, this work intend to analyze in which measure the way the sociological stories can be placed into an even bigger cultural movement in which the Mithological references that are feeding the contemporary imaginary are changing deeply. Additionally, once highlighted the strength and the limits of some of the proposals coming from the cognitive sciences, we propose a reading - and so an additional possible story telling alternative- of the feeling of fear open and amplified end and a more articulated inter-disciplinary approach. Between the objectives the proposals tends to, we would at the end try to stimulate a more intense opening between the different cognitive sciences and the Sociology of the cultural and communicative processes.
机译:集体想象中的恐惧感:迪士尼皮克斯的例子。当代科学辩论,尤其是从上世纪最后十年开始的辩论,常常是关于认知科学的猖colon殖民化。众所周知,与此科学领域相关的学科倾向于从对大脑中发生的过程的分析开始来解释人类的行为。借助新的大脑研究技术(如fMRI),可以建立物质基础,从而为经验性实验,传统上与​​纯粹的形而上学研究相关的主题(例如意识,情感和情感)的科学研究提供基础。在基本情绪或主要情绪之间,存在恐惧。近年来,有关该主题的科学文章出版量很大-考虑到正在发生的这种巨大的范式变化,将思想导向不同的认知类型是很容易理解的。这项工作的目的是理解在科学的当代辩论中用什么术语定义和表达恐惧情绪,并特别注意社会学方法。更具体地说,这项工作旨在分析以何种方式将社会学故事置入甚至更大的文化运动中,在这种运动中,养育当代想象力的神话学参考文献正在发生深刻变化。此外,一旦强调了一些来自认知科学的建议的优势和局限性,我们建议阅读一本有关恐惧感的文章,以便另辟possible径,讲述恐惧的感觉开放和终结,以及更加明确的跨学科方法。在提案趋向于实现的目标之间,我们最终将尝试激发不同的认知科学与文化和传播过程的社会学之间的更为激烈的开放。

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