首页> 外文期刊>H-ermes. Journal of Communication >Elvis, il re nascosto del rock. Messianesimo, illusione rivoluzionaria e nuovi feticismi pop = Elvis, the hidden king of rock and roll. Messianism, revolutionary delusion and birth of new pop fetishisms
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Elvis, il re nascosto del rock. Messianesimo, illusione rivoluzionaria e nuovi feticismi pop = Elvis, the hidden king of rock and roll. Messianism, revolutionary delusion and birth of new pop fetishisms

机译:猫王,隐藏的摇滚之王。弥赛亚主义,革命性的幻想和新的流行癖=猫王,隐藏的摇滚乐之王。弥赛亚主义,革命性的幻想和新的流行拜物教的诞生

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Elvis, the hidden king of rock and roll. Messianism, revolutionary delusion and birth of new pop fetishisms. Taking inspiration from Simmel’s insight regarding the presence of hidden kings in every distinguished cultural epoch, this paper explores the forms through which pop culture has got to generate new models of power, capable to set new standards by means of intrisic capabilities of overcoming social distortions the political power could not overtake. Elvis Presley, its myth, and the fetishisms derived from his stardom, condensed a number of Western stereotypes, subsuming counterposed social consciousnesses. In Presley’s figure, social antinomies are smoothed out through the delusion of a revolutionary pledge, that eventually comes out to be socially reassuring and equitable with an epiphany.
机译:猫王,隐藏的摇滚之王。弥赛亚主义,革命性的幻想和新的流行拜物教的诞生。从西梅尔(Simmel)关于每一个杰出文化时代中隐藏国王的存在的见识中汲取灵感,本文探讨了流行文化通过哪些形式产生新的权力模式,能够通过克服社会扭曲的固有能力设定新的标准。政治权力无法超越。猫王埃尔维斯·普雷斯利(Elvis Presley)的神话和从他的明星身份衍生出来的恋物癖,浓缩了许多西方的刻板印象,包含了对立的社会意识。在普雷斯利的形象中,通过革命承诺的幻想消除了社会矛盾,最终使人们对社会感到放心,并且有了顿悟。

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