首页> 外文期刊>H-ermes. Journal of Communication >Il mio corpo che cambia. Tra costruzione e smantellamento, lo spazio suburbano come paesaggio fisico, sociale e psicologico della Cina nel cinema di Jia ZhangKe = My body is changing. Between construction and destruction, the urban space as physical, soci
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Il mio corpo che cambia. Tra costruzione e smantellamento, lo spazio suburbano come paesaggio fisico, sociale e psicologico della Cina nel cinema di Jia ZhangKe = My body is changing. Between construction and destruction, the urban space as physical, soci

机译:我的身体在变化。在建筑和拆除之间,贾樟柯电影院中的郊区空间作为中国的物理,社会和心理景观,我的身体正在发生变化。在建筑与破坏之间,城市空间成为物质,社会

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My body is changing.Between construction and destruction, the urban space as physical, social and psychological Chinese landscape in Jia ZhangKe’s cinema. It is certainly true that cinema has always dialogued with architectural urban space, highlighting, depicting and investigating the multiple landscape transformations. In order to explore how cinema reflects upon marginalization process provoked by the organization of urban space, in the present essay I will take into account Jia ZhangKe’s cinema, which explores and traverses China’s post-socialist alterations, as well as personal, collective, private and public mutations. Revealing the several layers, voices and levels concerning Chinese history the films discussed shed a light on the urban transformation in a global landscape. The World (2004), Still Life (2006), 24 City (2008) and I Wish I Knew (2010) reflect upon marginalization, deterritorialization and alienation process caused by the production of urban space through a superimposition of imaginaries which trace Chinese history and cultural evolution.
机译:我的身体在变化。在建筑和破坏之间,贾樟柯电影院中的城市空间是中国人的身体,社会和心理景观。电影院一直与建筑城市空间对话,突出,描绘和研究多种景观变化,这的确是事实。为了探讨电影如何反映由城市空间组织引发的边缘化过程,在本文中,我将考虑贾樟柯的电影,该电影探索并穿越了中国的后社会主义变革,以及个人,集体,私人和社会的变革。公共突变。所讨论的电影揭示了中国历史的各个层面,声音和层次,为全球景观下的城市转型提供了启示。 《世界》(2004年),《静物》(2006年),《 24个城市》(2008年)和《我希望我知道》(2010年)通过对可追溯中国历史和历史的虚构事物的叠加,反思了由城市空间生产引起的边缘化,去域化和异化过程。文化进化。

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