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The Study on the Aesthetic of Chinese Calligraphy under the Horizon of Information Philosophy

机译:信息哲学视野下的中国书法美学研究。

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What is the essence of Chinese Calligraphy beauty? It is the most important and difficult question in the history of Chinese Calligraphy art. The explorations that ancient Chinese artists had made on this question can be classified into three main schools: the first school emphasizes the objective manifestation form, which means that calligraphy beauty is natural and in its form; the second school emphasizes the subjective intention, which means that calligraphy beauty is emotion; the third school emphasizes the combination of subjectivity and objectivity. In my opinion, it is necessary to combine the subjectivity and objectivity when we understand the essence of calligraphy beauty. To understand it, however, we cannot just only depend on Chinese philosophical methodology and traditional western philosophy. But the information philosophy in contemporary China, which is built on the basis of criticizing such traditional dualism, can afford an explicit and systematic explanation to the essence of Chinese Calligraphy, and no matter form, image, meaning and mind can be dialectically unified on the basis of information mediums.
机译:中国书法美的本质是什么?这是中国书法艺术史上最重要,最困难的问题。中国古代艺术家在这个问题上的探索可以分为三大流派:第一流派强调客观表现形式,这意味着书法之美是自然而然的。第二流派强调主观意图,这意味着书法之美就是情感。第三流派强调主观性与客观性的结合。我认为,当我们理解书法美的本质时,有必要将主观性与客观性结合起来。然而,要理解这一点,我们不能仅仅依靠中国哲学方法论和传统西方哲学。但是,在批评传统二元论的基础上建立起来的当代中国信息哲学,可以对中国书法的本质提供一个清晰而系统的解释,无论形式,图像,意义和思想都可以在辩证法上统一起来。信息媒介的基础。

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