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Mobile Music Listening – an aesthetic and aestheticizing practice

机译:手机音乐聆听–一种美学和美学实践

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How are we to conceptualize the experiences of mobile music listeners as they move through the city listening to a private soundtrack? The phenomenon has been described as an aestheticization of urban space (Bull, 2002, 2005, 2007; Hosokawa 1984 a.o.), and this perspective seems to focus on the listeners’ wish to alter and manipulate the impression of the surroundings. This article, however, explores and re-thinks how the terms aestheticization and aesthetic experi ence may be used to describe the specific relationship between the listener and the surround ings, which is established through the act of listening. To support this focus and claim I refer amongst others to Morten Kyndrup’s thoughts on the aesthetic relation (Kyndrup, 2008a) and Mikel Dufrenne’s theory on the aesthetic object as a perceived object (Dufrenne, 1973, 2001).
机译:当移动音乐收听者在城市中聆听私人音轨时,我们该如何对其概念进行概念化?这种现象被描述为对城市空间的审美化(Bull,2002、2005、2007; Hosokawa 1984 a.o.),这种观点似乎集中在听众希望改变和操纵周围环境印象上。但是,本文探讨并重新考虑了如何通过美学和审美体验来描述聆听者与周围环境之间的特定关系,这种关系是通过聆听行为建立的。为了支持这一观点并提出主张,我将参考Morten Kyndrup关于审美关系的思想(Kyndrup,2008a)和Mikel Dufrenne关于将审美对象作为感知对象的理论(Dufrenne,1973,2001)。

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  • 来源
    《SoundEffects》 |2013年第2期|共13页
  • 作者

    Nina Gram;

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  • 中图分类 艺术;
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  • 入库时间 2022-08-18 13:41:39

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