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Wrestling: An Integral Part of Iranian Fighting Arts

机译:摔角:伊朗格斗艺术的组成部分

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Wrestling played and has been playing a very important role in Iranian cultural heritage. First, the present article discusses the terms and different uses of wrestling techniques be it in unarmed duels or in combination with weapons. Then, three relevant manuscripts will be analyzed such as an untitled wrestling manuscript by an anonymous author from the period of ?āh Esmāil Safavid (1502-1524 C.E.), the manuscript Tum ā r-e Pury ā -ye Vali also written by an anonymous author during the Safavid period (1502-1722 C.E.) and the work by a famous poet named Mirnejāt with the title Masnavi-ye Golko?ti-ye Mirnej ā t that was written towards the end of the period of ?āh Soleymān Safavid (1666-1694 C.E.) or the beginning of the period of ?āh Soltān Hosseyn Safavid (1694-1722 C.E.). Based on some terms and descriptions of the techniques found in these manuscripts, it is possible to appreciate how traditional forms of wrestling in Iran have preserved some of these techniques.
机译:摔角在伊朗文化遗产中发挥了并且一直起着非常重要的作用。首先,本文讨论了摔跤技术的术语和不同用途,无论是在非武装决斗中还是与武器结合使用。然后,将分析三份相关的手稿,例如一位匿名作者在?āhEsmāilSafavid(1502-1524 CE)时期撰写的无标题摔跤手稿,《 Tumāre Puryà-ye Vali》也由一位匿名作者在Safavid时期(1502-1722 CE)和著名诗人Mirnejāt的作品,标题为Masnavi-ye Golko?ti-ye Mirnejāt,写于SohāmSoleymānSafavid(1666-1694)期末CE)或?āhSoltānHosseyn Safavid(公元1694-1722)时期的开始。根据这些手稿中所用技术的一些术语和说明,可以理解伊朗传统摔跤形式如何保存了其中一些技术。

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