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Leonine imagery in C.S. Lewis’s series The Chronicles of Narnia

机译:刘易斯(C.S. Lewis)系列电影《纳尼亚传奇》中的列奥宁图像

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Throughout the centuries, lion images have figured prominently in literature, art, heraldry and statuary. In Chinese art, for instance, lions appear more predominantly than dragons as guardians of buildings and temples, whereas across Europe, warriors surged across continents conquering under the image of the roaring lion emblazoned on their monarchs’ flags. Furthermore, numerous cultures and religious traditions symbolically embody their rulers, both divine and temporal, using leonine imagery. Through an investigation of this imagic representation, this article will explore the selection of the lion, Aslan, as the spiritual depiction of the Christ-figure in C.S. Lewis’ series The Chronicles of Narnia.
机译:整个世纪以来,狮子图像在文学,艺术,纹章和雕像中都占有重要地位。例如,在中国艺术中,狮子是作为建筑物和庙宇的守护者,而不是龙,而在整个欧洲,勇士们横穿各大洲,征服了帝王国旗上咆哮的狮子,从而征服了他们。此外,许多文化和宗教传统都使用莱昂图像象征性地体现了其统治者的神圣和时代特征。通过对这种形象的表现的调查,本文将探讨狮子艾斯兰(Aslan)的选择,作为C.S. Lewis的《纳尼亚传奇》中基督人物的精神描绘。

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