The aim of this article is to analyse the multifaceted identity of the city of Florence at the beginning of the 20th Century, under the perspective of the German artists and intellectuals, who chose the “reachable Arcadia” of the Renaissance as their home. The Florentine diaries of Aby Warburg, who is the protagonist of Florenz 1900. Die Suche nach Arkadien, written by the Swiss historian Bernd Roeck (2001), guide us through the analysis.
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机译:本文旨在从德国艺术家和知识分子的角度分析20世纪初佛罗伦萨城市的多面性,他们选择了文艺复兴时期的“可到达的阿卡迪亚”作为他们的家。作为弗洛伦茨1900的主角的阿比·沃伯格的佛罗伦萨日记。瑞士历史学家伯恩德·罗克(Bernd Roeck,2001)撰写的《 Die zhi nach Arkadien》指导我们进行分析。
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