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Scratching the Surface: On and In Self Portrait (1895)

机译:划伤表面:自画像和自画像(1895)

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Munch’s self portrait, which is among the artist’s first forays into lithography, exists in four states.15Gerd Woll, The Complete Graphic Works (Oslo: Orfeus, 2012), 62–63, catalogue 31. It is catalogued at the Munch Museum as MM G 192. There are more than 50 impressions housed in the Munch Museum. requirejs.config({baseUrl: staticFileLocation+'idunn/js'}); require([staticFileLocation+'idunn/js/main.js'], function() { require(["jquery", "jquery-ui", "tooltip"], function($, jqui, tooltip) { $(document).ready(function () { $(function () { var content = $('#cxfn_15').clone(); content = content.removeAttr('href'); $('#xfn_15').attr('title', function(i, origValue) { content.find('br').remove(); return $(content.prop('outerHTML')).text().substring(0,30)+'...'; }.bind(content)); tooltip.setClickableTooltip('#xfn_15', content.prop('innerHTML')); }); }); }); }); The first is a trial proof (ill. 5), in which the artist represents his head and shoulders, cropped at chest level by a horizontal band of liquid applied to the lithographic stone that seems to reference a shelf or frame at the edge of which rests the summarily sketched skeletal arm.
机译:蒙克的自画像是艺术家首次涉足光刻技术,在四个州中均存在。15格尔德·沃尔(Gerd Woll),《完整图形作品》(奥斯陆:Orfeus,2012年),目录62-63,目录31。在蒙克博物馆被列为MM G 192.蒙克博物馆(Munch Museum)内藏有50多幅印象。 requirejs.config({baseUrl:staticFileLocation +'idunn / js'}); require([staticFileLocation +'idunn / js / main.js'],function(){require([“ jquery”,“ jquery-ui”,“ tooltip”],function($,jqui,tooltip){$(document) .ready(function(){$(function(){var content = $('#cxfn_15')。clone(); content = content.removeAttr('href'); $('#xfn_15')。attr(' title',function(i,origValue){content.find('br')。remove();返回$(content.prop('outerHTML'))。text()。substring(0,30)+'.. 。';} .bind(content)); tooltip.setClickableTooltip('#xfn_15',content.prop('innerHTML'));});});});});第一个是试验证明(图5),其中艺术家代表他的头和肩膀,并在水平方向上将平整的液体带涂在石印板上,该液体似乎参考了架子或框架的边缘。搁置简要绘制的骨骼臂。

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