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Aesthetical tastes of academical and traditional costumes in academic processions

机译:学术游行中学术和传统服饰的审美趣味

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Abstract The article opens up fresh debate in aesthetical capacity of academic and Ghanaian traditional costumes in academic processions and sheds light on how the synergetic interaction of academic and traditional costumes spice up academic ceremonies in the University of Education, Winneba (UEW). Grounded in aesthetical balances, the study analyses the body of artistic ramifications in constructing academic pomposity, and signaling academic accomplishment and identities. Data gathered have been presented in simple narrative format. The researchers opted to offer visual interpretative account of the events—matriculation and congregation ceremonies, taking into account the symbolical essence and aesthetical dimensions of the academic and traditional costumes used in the ceremonies. Through participant observation and photographic evidences, the article delves into the aesthetical realms of academic costumes and its theatrical orchestrations in announcing visual identities of wearers. It posits that the construction of the visual iconographic identities through the use of both academic and traditional costuming in UEW is best understood in the Ghanaian conceptual and contextual cultural dialectic.
机译:摘要这篇文章就学术和加纳传统服饰在学术游行中的审美能力展开了新的辩论,并阐明了学术和传统服饰的协同相互作用如何为温尼巴教育大学(UEW)的学术仪式增添了色彩。这项研究以美学平衡为基础,分析了在构建学术定位,传达学术成就和身份方面的艺术后果。收集的数据已以简单的叙述形式呈现。研究人员选择对事件(入学典礼和聚会仪式)进行视觉解释,同时考虑到仪式中使用的学术服装和传统服装的象征本质和美学尺寸。通过参与者的观察和摄影证据,本文在宣告佩戴者的视觉标识时,深入研究了学术服装及其戏剧编排的美学领域。它认为,在加纳的概念和语境文化辩证法中,最好地理解通过在UEW中同时使用学术和传统服装来构建视觉肖像身份的方法。

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