首页> 外文期刊>International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences >THE COMPARISON BETWEEN NMF AND ICA IN PIGMENT MIXTURE IDENTIFICATION OF ANCIENT CHINESE PAINTINGS
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THE COMPARISON BETWEEN NMF AND ICA IN PIGMENT MIXTURE IDENTIFICATION OF ANCIENT CHINESE PAINTINGS

机译:NMF和ICA在中国古代绘画颜料混合物识别中的比较

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Since the colour in painting cultural relics observed by our naked eyes or hyperspectral cameras is usually a mixture of several kinds of pigments, the mixed pigments analysis will be an important subject in the field of ancient painting conservation and restoration. This paper aims to find a more effective method to confirm the types of every pure pigment from mixture on the surface of paintings. Firstly, we adopted two kinds of blind source separation algorithms, which are independent component analysis and non-negative matrix factorization, to extract the pure pigment component from mixed spectrum respectively. Moreover, we matched the separated pure spectrum with the pigments spectra library built by our team to determine the pigment type. Furthermore, three kinds of data including simulation data, mixed pigments spectral data measured in laboratory, and the spectral data of an ancient painting were chosen to evaluate the performance of the different algorithms. And the accuracy was compared between the two algorithms. Finally, the experimental results show that non-negative matrix factorization method is more suitable for endmember extraction in the field of ancient painting conservation and restoration.
机译:由于用肉眼或高光谱照相机观察的绘画文物的颜色通常是几种颜料的混合物,因此混合颜料分析将成为古代绘画保护和修复领域的重要课题。本文旨在寻找一种更有效的方法来确定绘画表面上混合物中每种纯颜料的类型。首先,我们采用独立成分分析和非负矩阵分解两种盲源分离算法,分别从混合光谱中提取纯色素成分。此外,我们将分离的纯光谱与我们的团队建立的颜料光谱库进行匹配,以确定颜料类型。此外,还选择了三种数据,包括模拟数据,实验室测量的混合颜料光谱数据和古代绘画的光谱数据,以评估不同算法的性能。并比较了两种算法的准确性。最后,实验结果表明,非负矩阵分解方法更适合于古画保护与修复领域的端元提取。

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