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Metaphors as a didactic resource in vocal pedagogy: different approaches

机译:隐喻作为声乐教学法的教学资源:不同的方法

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Purpose: To verify whether singing teachers of different music styles use metaphoric expressions ("imagery") as didactic tools to teach vocal resonance, whether there is a desired physiological correspondence for each metaphor, and the reasons to use this kind of expression. METHODS: The subjects were 20 singing teachers with at least five years of professional experience teaching one of four different musical styles (five teachers of each style). They answered questions based on other studies in the area, regarding their teaching experience and their use of metaphoric expressions. The teachers that confirmed using imagery to teach vocal resonance were asked to describe three examples currently used, and to explain its physiological and musical goals. The interviews were digitally recorded, fully transcribed, and posteriorly analyzed and classified. RESULTS: From the teachers interviewed, 90% used imagery for pedagogical reasons, concerning either technical or musical matters; 88.8% of the teachers that affirmed to use metaphoric expression with physiological purposes were not able to describe precisely what they were trying to achieve, or mixed physiological goals with musical and proprioceptive objectives. CONCLUSION: Most of the singing teachers that participated in this study used metaphors as didactic tools, believing that this kind of imagery stimulates proprioception and musicality, and that instruction through physiological language is excessively complex. This finding might suggest that these professionals tend not to isolate the physiological process of voice production from the subjective process of artistic creation.
机译:目的:验证不同音乐风格的歌唱教师是否使用隐喻表达(“意象”)作为教授声乐的教学手段,每种隐喻是否具有理想的生理对应性以及使用这种表达的原因。方法:受试者为20名歌唱教师,具有至少五年的专业经验,教授四种不同音乐风格中的一种(每种风格中的五名教师)。他们根据该领域的其他研究回答了有关他们的教学经验和隐喻表达方式的使用问题。要求确认使用图像教人声共鸣的老师描述当前使用的三个例子,并解释其生理和音乐目标。对访谈进行数字记录,完全转录,并进行事后分析和分类。结果:在接受采访的老师中,有90%出于教学原因使用图像,涉及技术或音乐方面;肯定使用隐喻表达是出于生理目的的教师中有88.8%无法准确描述他们要达到的目标,或者无法将生理目标与音乐和本体感受目标混在一起。结论:参加这项研究的大多数歌唱老师都把隐喻用作教学手段,他们认为这种形象会刺激本体感觉和音乐性,而且通过生理语言进行的教学过于复杂。这一发现可能表明这些专业人士往往不会将声音产生的生理过程与艺术创作的主观过程区分开。

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