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“Repressed Modernity” and the Turn of Literary History to the “Modernity” Model

机译:“压抑的现代性”与文学史向“现代性”模式的转变

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With the introduction of “modernity” in the 1990s, the limitation of the “modernized” model was exposed and finally replaced ; thus the new turn of literary history research models from the “modernized” model to the “modernity” one has been started. Li Oufan and David Der-wei Wang ’ s discussion about the “modernity of the late Qing Dynasty” had a huge influence on academic circles in mainland China, after which, lots of mainland scholars began to study the literature of late Qing Dynasty from the angle of “modernity”, broadening the narrative range of modern literary history and renewing the research perspectives. The writer takes the example of Li Oufan and David Der-wei Wang to study the turn of literary history to the “Modernity” Model.
机译:随着1990年代“现代性”的引入,“现代”模式的局限性被暴露并最终被取代;因此,文学史研究模式从“现代化”模式向“现代性”模式的转变已经开始。李欧凡和王德伟对“晚清现代性”的讨论对中国大陆的学术界产生了巨大的影响,此后,许多内地学者开始了对晚清文学的研究。以“现代性”为视角,拓宽了现代文学史的叙事范围,更新了研究视野。笔者以李欧凡和王德伟为例,研究文学史向“现代性”模式的转变。

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