首页> 外文期刊>Advances in Literary Study >One of the Revelations for Mo Yan’s Winning of Nobel Prize: The Significance and Limitation of Mysterious Writing in Contemporary Chinese Literature
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One of the Revelations for Mo Yan’s Winning of Nobel Prize: The Significance and Limitation of Mysterious Writing in Contemporary Chinese Literature

机译:莫言获得诺贝尔奖的启示之一:中国当代文学中神秘写作的意义和局限性

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Since the 1990s, the relaxed politic and literary environment has left space for mysterious writing, and a series of mystery novels gain Chinese domestic awards for literature, such as the White Deer Plain, Red Poppies and Right bank of the Argun that won the Mao Dun prize which is the highest honor of novel writings in China. Furthermore, Mo Yan’s winning of the Nobel Prize for Literature indicates that mysterious writing is in the ascendant in contemporary Chinese literature. The contents of this paper are as follows: firstly, the definitions of mystery and mysterious writing are defined, and traces of mysterious writing in ancient Chinese literature and its development in the context of contemporary literature are surveyed; secondly, the manifestations of mysterious writing and its multiple aesthetic dimensions are investigated; thirdly, the aesthetic significance and value connotations of mysterious writing are displayed; Finally, the reflection and planning for the limitations and way out of mysterious writing are illustrated. The results of this paper are: Mysterious writing is consistently existent in the history of Chinese literature with various manifestations; Mysterious writing broadens the scope of literary aesthetics, constructs a special aesthetic style and aesthetic effect, and enriches the value forms and the quality state of contemporary literature. But there are also some disadvantages of Mysterious writing and we should look at it from a dialectical perspective.
机译:自1990年代以来,宽松的政治和文学环境为神秘的写作留下了空间,一系列神秘小说获得了中国国内文学奖,例如白鹿平原,红罂粟和赢得毛盾的阿尔贡右岸等。该奖是中国小说创作的最高荣誉。此外,莫言获得了诺贝尔文学奖,这表明神秘的写作在当代中国文学中方兴未艾。本文的主要内容如下:首先,对神秘和神秘写作的定义进行了界定,并对中国古代文学中神秘写作的痕迹及其在当代文学背景下的发展进行了考察。其次,研究了神秘作品的表现形式及其多重审美层面。第三,展现神秘写作的美学意义和价值内涵。最后,说明了对神秘写作的局限性和出路的思考和计划。本文的研究结果是:中国文学史上一直存在着各种表现形式的神秘写作;神秘写作拓宽了文学美学的范围,建构了特殊的审美风格和审美效果,丰富了当代文学的价值形式和品质状态。但是神秘写作也有一些弊端,我们应该从辩证法的角度来看待它。

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