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The Disappearance of Hong Kong in Comics, Advertising and Graphic Design

机译:香港在漫画,广告和平面设计中的消失

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摘要

Hong Kong's subjectivity is a complicated one. It was ceded by China to Great Britain as a leased territory in 1842, with other territories later leased in a similar fashion. Hong Kong returned to Chinese control in 1997, and its identity has been constructed on the one hand as that of a British territory resisting Chinese influence, and on the other as a Chinese territory being freed from British control and reabsorbed into China. However, a third way of understanding Hong Kong's identity is possible: on its own terms, as a place that reflects both its British and Chinese heritages but stands apart from them. In The Disappearance of Hong Kong in Comics, Advertising and Graphic Design, Wendy Siuyi Wong seeks to "examine Hong Kong's struggle against the disappearance of its unique identity" in this context, and to "[articulate] the diverse cosmopolitan character of Hong Kong, a possible base for the building of a new subjectivity for the future."
机译:香港的主观性很复杂。 1842年,中国将其割让给英国作为租赁领土,其他领土后来也以类似方式租赁给英国。香港于1997年重新回到中国的控制之下,其身份一方面被确立为抵抗中国影响的英国领土,另一方面被确立为不受英国控制并重新吸收到中国的中国领土。但是,有第三种理解香港身份的方法是可行的:以其本身的方式,既反映了英国和中国的遗产又与众不同。在《漫画,广告和图形设计中香港的消失》一书中,Wendy Siuyi Wong试图在这种情况下“研究香港为避免其独特身份的消失而作的努力”,并“ [阐明]香港多样化的国际化特征,为未来建立新的主观性的可能基础。”

著录项

  • 来源
    《Design Issues》 |2020年第2期|96-97|共2页
  • 作者

    Ian Hague;

  • 作者单位

    Design School at London College of Communication;

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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-18 05:13:21

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