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ZIBA Design and the FedEx Project

机译:ZIBA设计和联邦快递项目

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摘要

When designers even subtly change the framing of the problem they set out to solve, they change the nature of their practice. ZIBA looked to brand as the foundation for an entire platform of products, and found themselves forging innovative methods in order to translate the brand concept into visual criteria they could use. ZIBA critiqued the interaction component of the WSC project, and research became a necessary and vital component of the redesign. They argued that interaction and appearance were valuable missing elements from the FedEx product development process, and the shift in perspective made the customer present in the retail environment and the courier an extension of the brand. In each instance, the change to ZIBA's practice was influenced by a new way of thinking that then was translated into a new way of working. This distinction between the vision and the method is an important one. Adopting new methods does not mean much if the idea guiding the process is the same as before. In fact, a well-articulated vision can be more enduring than the resulting product. Trace the line from FedEx's old retail centers to their decision to purchase Kinko's in 2003. It runs right through an awakening to the customer's values.
机译:当设计师甚至巧妙地改变他们打算解决的问题的框架时,他们就会改变实践的性质。 ZIBA视品牌为整个产品平台的基础,并发现自己锻造了创新方法,以将品牌概念转化为可以使用的视觉标准。 ZIBA批评了WSC项目的交互部分,研究成为重新设计的必要和重要组成部分。他们认为,互动和外观是FedEx产品开发过程中宝贵的缺失要素,并且观念的转变使客户出现在零售环境中,而快递员则是品牌的延伸。在每种情况下,对ZIBA做法的改变都受到一种新的思维方式的影响,然后转变为一种新的工作方式。视觉和方法之间的这种区别是重要的。如果指导该过程的想法与以前相同,那么采用新方法并没有多大意义。实际上,清晰表达的愿景可能比最终产品持久。从FedEx的旧零售中心追溯到他们在2003年决定购买Kinko的决定。这一直是在唤醒客户价值的过程。

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