The concept of tacit knowledge has advanced to become a prolific guiding principle in contemporary design research. In their attempts to describe knowledge within the scope of design, design researchers frequently draw on this concept and its related references. They attest that design is influenced by tacit knowledge in a distinctive way. However, in regard to the corresponding provisions of this form of knowledge, we must recognize that we cannot attain an understanding of the complexity of tacit knowledge using only philosophical categorizations or only the analysis of individual creative practices.
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