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首页> 外文期刊>Deutsche Bauzeitung >AN AIRPORT IS NOT A MONUMENT: CHARLES DE GAULLE'S TERMINAL 2E
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AN AIRPORT IS NOT A MONUMENT: CHARLES DE GAULLE'S TERMINAL 2E

机译:机场不是一件轻而易举的事:夏尔·戴高乐的2E候机楼

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摘要

The curve is back. After it fell down ingloriously and with fatal result four years ago, Charles de Gaulle's tube of 2E airport terminal has reopened this spring and has immediately become crowded with a full load of international travelers. Only somebody who remembers the former Departure Hall 2E with is bravura sweep that indeed did seem to defy gravity (for a while) will notice that it has become a place that exhibits less daring than the original. Both were designed by Paul Andreu in 1997 as the latest instalment in his episode-by-episode articulation of the different bits and pieces of airports strung together by a circulation that, because of that decision to make everything clear and separate, is attenuated and very long. Terminal 2E is the most monumental of Andreu's creations at de Gaulle, at least as far as its interior spaces go. From the outside it is also the simplest: one curved vault covering two floors for the entrance area, almost 700 meters long, a connection, then an even longer tube curving towards the airfield as the check-in area gestured to the landside. This second tube is self-enclosed and clad in glass, providing a single space at which a dozen large planes at a time can dock. The main check-in area is in the stretched vault that sweeps over one in concrete, with the various services that let one actually use the space, such as airline counters, services and shops, cower below this grand public gesture.
机译:曲线又回来了。四年前,它因不慎摔倒并造成了致命的后果,戴高乐(Charles de Gaulle)的2E机场航站楼的地铁在今年春天重新开放,并立即挤满了国际旅客。只有记得前2E出发大厅的人,才发现确实确实在一段时间内克服了重力,却发现它已经变得比原来的胆量大了。两者都是保罗·安德鲁(Paul Andreu)在1997年设计的,这是他逐集地阐述通过环流串在一起的机场的各个零碎片段的最新一期,由于决定使一切变得清晰和分离,所以这种减弱和减弱长。 2E航站楼是安德烈·戴高乐公司在戴高乐的创作中最具纪念意义的作品,至少就其内部空间而言。从外面看,它也是最简单的:一个弯曲的穹顶覆盖入口区域的两层,长约700米,连接在一起,然后当登机区域指向地面时,一条更长的管子弯向机场。第二个管子是自封闭式的,并用玻璃包裹,提供了一个空间,一次可以放置十二个大型飞机。主要的登机区域位于拉长的保险库中,该保险库在一个混凝土地板上扫过,提供使人们实际使用该空间的各种服务,例如航空公司柜台,服务和商店,都在这种宏伟的公众姿态下退缩。

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