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Musical Thought in the Zhuangzi: A Criticism of the Confucian Discourse on Ritual and Music

机译:庄子的音乐思想:儒家礼乐话语批判

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Musical thought in the Chinese tradition is frequently discussed in terms of the Confucian discourse on “ritual and music (lǐyuè 禮樂),” but how this Confucian discourse has been viewed by its critics has seldom been addressed. This paper aims to explore musical thought in the Zhuangzi as a serious critique of Confucian musical discourse. Zhuangzian thinkers doubt whether Confucian ritual music can avoid restricting music within a specific musical tradition, impeding the freedom to enjoy music, and distorting the nature of music. Unlike Confucian discourse, which emphasizes music’s external effects, Zhuangzian musical thought ultimately leads us to focus on the essential questions: how to cultivate one’s own sensibility toward musical harmony, how to open one’s mind to comprehend different musical sources, and how to eventually reach musical Dao.
机译:中国传统的音乐思想经常以儒家关于“礼乐”的论述来讨论,但是很少有人批评批评家如何看待这种儒学话语。本文旨在探讨《庄子》中的音乐思想,这是对儒家音乐话语的一种认真批评。庄子思想家怀疑儒家的仪式音乐是否可以避免将音乐限制在特定的音乐传统内,从而阻碍了享受音乐的自由,并扭曲了音乐的本质。与儒家的话语强调音乐的外部影响不同,庄子的音乐思想最终使我们关注以下基本问题:如何培养自己对音乐和谐的敏感性,如何开放自己的心智以理解不同的音乐来源,以及如何最终达到音乐化的目的。道

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