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YOUNG WOMEN AND CONSUMER CULTURE

机译:青年妇女和消费者文化

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This article is presented as an intervention in the field of feminist media and cultural studies with particular reference to consumer culture. It is concerned with the seeming evasion of critique which can be detected in a number of recent feminist responses to the way in which modalities of 'popular feminism' have found themselves incorporated into women's genres of television, such as, in particular, the US series Sex in the City. This usage or instrumentalization of feminism (in its most conventionally liberal feminist guise) also provides corporate culture with the means of presenting itself to young women as their ally and even champion of 'girls' while at the same time earning seeming approval for adopting the mantle of social responsibility, which makes the concept of popular feminism more problematic than it first appeared. Such appropriation of popular feminist discourse by the commercial domain prompts a self-critique on the part of the author alongside an analysis of recent approaches toward consumer culture in cultural studies. The article continues by presenting a schematic account of how the commercial domain increasingly supplants state and public sector institutions in the intensity and dedication of its address to girls and young women. Whilst some may argue that the intersection of youthful femininity and the commercial sphere is not a new phenomenon, what is being explored here is the connection between this intensification of attention and the logic of current neo-liberal economic rationalities. The argument is, therefore, that it is by these means including the instrumentalization of a specific modality of 'feminism' that there emerges into existence a neo-liberal culture, with global aspirations, which has as its ideal subject the category of 'girl'.
机译:这篇文章是对女性主义媒体和文化研究领域的干预,特别是针对消费文化。它关注的似乎是对批评的回避,这种批评在最近的女权主义者对“大众女权主义”的形式已经融入到电视的女性流派中的方式中可以发现,例如美国系列。在城市做爱。女权主义的这种使用或工具化(以其最传统的自由主义女权主义幌子)还为企业文化提供了向年轻女性展示自己作为其盟友甚至“女孩”的拥护者的手段,同时获得了接受采用地幔的认可。社会责任的概念,这使得大众女性主义的概念比最初出现的问题更加棘手。商业领域对流行女权主义话语的这种挪用促使作者进行了自我批评,同时对文化研究中对消费文化的最新研究方法进行了分析。文章继续以示意图说明商业领域如何在向女孩和年轻妇女的强调和奉献上日益取代州和公共部门机构。尽管有些人可能会认为,年轻女性气质与商业领域的交集不是一个新现象,但这里正在探索的是这种关注的加强与当前新自由主义经济理性的逻辑之间的联系。因此,争论是通过这些手段,包括对特定形式的“女权主义”的工具化,出现了一种具有全球愿望的新自由主义文化,其理想主题是“女孩”。 。

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