Musicians as entrepreneurs or entrepreneurs as musicians?

摘要

This study investigates how Swedish musicians in the non-profit sector accept the entrepreneur label for themselves. The background section describes how identity work among serious musicians has, historically, made them shun any facet related to money-making. The qualitative study shows that there is some remaining reluctance. But it is obvious that freelance musicians recognize the need for entrepreneurial skills. A majority of those interviewed regard themselves as entrepreneurs, although in most cases it is out of necessity. It seems that the older generations are more hesitant than the younger. I conclude that it would be beneficial if musicians, during their higher education, were introduced to basic entrepreneurial skills.