This article explores cinematic boredom. It investigates how feature films exemplify prevailing cultural attitudes towards boredom, and suggests that dominant cinema's fear of being âboringâ reflects a cultural refusal to address the implications of time passing. Most feature films kill time. The article analyses how and why they do so, and then explores what happens when a film refuses to kill time. By engaging with temporality, a film may risk being called âboringâ but it may also perform the important cultural role of encouraging us to reflect on the limited time-span of our own lives.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/10304312.2010.505331
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