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Rzewski in New York (1971-1977)

机译:纽约的热夫斯基(1971-1977)

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The years of Frederic Rzewski's New York residency (1970-1977) constitute a rich and highly productive period, best described as a post-1968 period of musical reflection on, and exploration of, the radical aesthetic and political themes at work during his involvement with Musica Elettronica Viva (MEV) in Rome (1966-1969). Rzewski's creative output during this period must also be framed in the light of his interaction with the emerging Downtown experimental music scene. Through regular MEV performances, he helped to turn collective improvisation into a major Downtown genre and to break down the barriers between new music and jazz improvisation. Furthermore, he was at the cutting edge then in exploring the ways of integrating composition with improvisation, a practice still in its infancy in new music circles. In a signal achievement, Rzewski produced a repertoire of political compositions that effectively reach out to audiences without abandoning the ideals of the avant-garde.View full textDownload full textKeywordsPost-1968, Downtown, the Kitchen, Improvisation, Political Music, ExpressionistRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/07494467.2010.619733
机译:弗雷德里克·热夫斯基(Frederic Rzewski)在纽约定居的时期(1970年至1977年)构成了一个富有而富有成效的时期,最恰当的描述是1968年后的音乐反思期,并探索了他参与工作时所涉及的激进的美学和政治主题的时期。罗马的Musica Elettronica Viva(MEV)(1966-1969)。 Rzewski在此期间的创造性作品也必须根据他与新兴市区实验音乐界的互动来构架。通过定期的MEV表演,他帮助将集体即兴创作转变为主要的市区类型,并打破了新音乐与爵士即兴创作之间的障碍。此外,他当时处于最前沿,正在探索将作曲与即兴融合的方法,这种方法在新音乐界还处于起步阶段。作为标志性的成就,热夫斯基制作了一系列政治作品,可以有效地吸引观众,而又不放弃前卫的理想。全文阅读关键词下载1968年后,市区,厨房,即兴创作,政治音乐,表现主义相关的var addthis_config = {ui_cobrand:“ Taylor&Francis Online”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/07494467.2010.619733

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  • 来源
    《Contemporary Music Review》 |2010年第6期|p.557-574|共18页
  • 作者

    Bernard Gendron;

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  • 入库时间 2022-08-17 13:08:44

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