首页> 外文期刊>Contemporary Music Review >Snapshots in Sound: Mystère de l'instant and the Legacy of Moment Form
【24h】

Snapshots in Sound: Mystère de l'instant and the Legacy of Moment Form

机译:声音快照:神秘的瞬间和瞬间的遗留形式

获取原文
获取原文并翻译 | 示例
       

摘要

Dutilleux's Mystère de l'instant for cimbalom, strings and percussion (1985-1989) stands out within his output for its unusual approach to large-scale form. Eschewing processes of ‘progressive growth’ and the emphasis upon organic, symphonic continuity which had characterised the composer's mature language, this work presents a succession of self-contained ‘instants’ in which little attempt is made to establish longer-term connections of material. His approach shows some striking parallels with the aesthetic of ‘moment form’ adopted by Stockhausen and his Darmstadt colleagues during the 1960s and set out systematically by Jonathan Kramer in 1978, even though the respective musical languages employed are very different. A more detailed exploration of these parallels highlights new connections between Mystère de l'instant and the work of Proust, who has long represented an important source of inspiration for Dutilleux, and allows the work to be ‘rehabilitated’ within the main thread of the composer's stylistic development.View full textDownload full textKeywordsHenri Dutilleux, Karlheinz Stockhausen, Jonathan Kramer, Marcel Proust, moment form, snapshotRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/07494467.2010.589127
机译:Dutilleux创作的有关琴摆,琴弦和打击乐的《Mystérede l'instant》(1985-1989年)以其与众不同的大尺寸制作方法而脱颖而出。避开了“渐进式增长”的过程,并强调了作曲家成熟语言所特有的有机,交响连续性,这项工作呈现出一系列自成体系的“即刻”,其中几乎没有尝试建立更长的时间材料的长期连接。他的方法与斯托克豪森和他的达姆施塔特同事在1960年代采用并由乔纳森·克雷默(Jonathan Kramer)于1978年系统提出的“瞬间形式”美学有着惊人的相似之处,尽管所采用的各自的音乐语言差异很大。对这些相似之处的更详细研究突显了Mystérede l'instant与Proust作品之间的新联系,Proust长期以来一直代表着Dutilleux的重要灵感来源,并允许作品在“内部”得到“修复”。作曲家的风格发展的主线。 technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more“,发布:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/07494467.2010.589127

著录项

  • 来源
    《Contemporary Music Review》 |2010年第5期|p.497-512|共16页
  • 作者

    Mark Hutchinson;

  • 作者单位
  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 13:08:44

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号