This essay discusses the problems of authorship concerning free improvisation. It looks at three areas: collaboration, education, and emerging processes. There has been a recent trend for introducing spontaneous and collaborative elements into contemporary classical music projects. The current essay examines problems concerning how to nurture, present and disseminate new forms within very established formats. Even though free improvisation offers a medium in which to develop complementary crossover skills between composition and performance, this essay will discuss the impossibilities for a composer or performer (working in their respective fields) to claim authorship of a collaborative performance between free improvisation and composition. It identifies the free improvisation performance as an ephemeral, emerging process that does not create a productâthat is, it is a process resistant to institutionalised assessment and ownership.View full textDownload full textKeywordsArt Product, Emergent Process, John Dewey, George E. Lewis, Inner Repository, Free ImprovisationRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/07494467.2010.587314
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机译:本文讨论了关于即兴创作的作者身份问题。它着眼于三个领域:协作,教育和新兴过程。将自发和协作元素引入当代古典音乐项目的最新趋势。本文探讨了如何以非常成熟的格式来培育,展示和传播新形式的问题。尽管免费即兴演奏提供了一种在作曲和演奏之间发展互补的交叉技能的媒介,但本文仍将讨论作曲家或表演者(在各自领域工作)主张在即兴演奏和作曲之间进行合作表演的可能性。它将自由即兴表演标识为一种短暂的,新兴的过程,不会产生一种产品,也就是说,它是一种抵抗制度化评估和所有权的过程。查看全文下载全文关键字Art Art Product,Emergent Process,John Dewey,GeorgeE。刘易斯,内部存储库,免费即兴相关var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra -4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/07494467.2010.587314
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