Annotating traditional Chinese paintings for immersive virtual exhibition.

摘要

The goal of this research is to design a new method of annotating traditional Chinese paintings, particularly by focusing on two issues that are unique to the Chinese masterpieces: (1) their form ("long scrolls versus canvases of regular size") and (2) the "composition techniques for spatial recession (moving focus versus perspective)." A main unique technical aspect of the authors' work is "how [they] infer the positions of the annotations in the 3D perception space of the image" since audio annotation of traditional Chinese paintings by itself is not new.