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Happily Ever After? A Content Analysis of Romantic Ideals in Disney Princess Films

机译:从此以后快乐地生活着?迪士尼公主电影中浪漫理想的内容分析

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摘要

This study presents a quantitative content analysis of the romantic expressions portrayed in the 12 Disney princess movies. The films were analyzed for presence of romantic expressions (ideals and challenges) and the character reactions to those expressions. Results indicated that romantic expressions are prevalent in these films, with idealization of other as the most common ideal expressed. The transitional era of films (i.e., princess movies released between 1989 and 1998) contained roughly the same number of ideals as the other eras of classic (i.e., movies released before 1989) and modern (i.e., movies released after 1998) combined. Further, ideals were three times more common than challenges in classic films, whereas ideals and challenges were expressed equally in transitional and modern films. In general, across all three eras, challenges were most commonly met with punishing and negative reactions, whereas ideals were most often rewarded. Finally, there were no sex differences in terms of ideal expressions, but male characters were the dominant pursuers in 9 of the 11 films that featured a romantic relationship.
机译:这项研究对12部迪士尼公主电影中的浪漫表情进行了定量的内容分析。分析了影片中浪漫表达(理想和挑战)的存在以及对这些表达的性格反应。结果表明,浪漫主义的表达在这些电影中很普遍,而其他人的理想化则是最常见的理想化表达。电影的过渡时期(即1989年至1998年之间发行的公主电影)所包含的理想数量与经典电影(即1989年之前发行的电影)和现代电影(即1998年之后发行的电影)的其他时代大致相同。此外,理想是普通电影中挑战的三倍,而理想和挑战在过渡电影和现代电影中的表达均相同。通常,在所有三个时代中,挑战最常见的是惩罚和消极反应,而理想则最有价值。最后,在理想表达方式上没有性别差异,但在11部表现浪漫关系的电影中,有9部是男性角色的主要追求者。

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