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Analysis of Color Symbology from the Perspective of Cultural Semiotics Focused on Korean Costume Colors According to the Cultural Changes

机译:从文化变迁着眼于韩国服饰颜色的文化符号学角度分析颜色象征

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摘要

The purpose of this study was to analyze the symbolization of colors as cultural codes,based on costume colors.In order to study the significance of colors in cultural changes,we carried out a quantitative analysis and interpreted it from the perspective of cultural semiotics.The range of this study was focused on Korean costume colors,over diverse diachronic stages of Korean culture.For this study 1535 color samples were collected,measured with a spectrophotometer,and analyzed quantitatively according their diachronic stages of origin.As a result,red,blue,and yellow were found to be the most frequently used colors during the Chosun Dynasty,a period based on Confucianism.These colors acted as cultural codes with cultural significance.During the Modern times pink,light blue,and black increased in frequency and represented the reception of western culture,the changing sex role of women in society,and utilitarianism.In these days,neutral colors and grayish tones of all colors are the most significant colors of high frequency.The use of such colors is closely related to industrialization,mechanization,functionalism,and the changes of women's sex roles in the societies.They are used as cultural codes,especially to emphasize a rational and masculine image rather than a feminine image.
机译:这项研究的目的是分析基于服饰颜色的颜色符号作为文化代码。为了研究颜色在文化变迁中的意义,我们从文化符号学的角度进行了定量分析和解释。本研究的范围集中于韩国文化历时不同阶段的韩国服饰颜色。本研究收集了1535种颜色样本,使用分光光度计进行测量,并根据其历时起源阶段进行了定量分析。结果,红色,蓝色在朝鲜时代,以儒家思想为基础,发现黄色和黄色是最常用的颜色。这些颜色具有重要的文化意义。在近代,粉红色,浅蓝色和黑色的频率增加,代表了接受西方文化,女性在社会中的性别角色变化以及功利主义。在当今时代,中性色和所有颜色的灰色调是最多的这些颜色的使用与工业化,机械化,功能主义以及社会中女性性别角色的变化密切相关。它们被用作文化规范,尤其是强调理性和男性形象,而不是强调女性形象。

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