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Mutinous Fiction: Narrative and Illustrative Metalepsis in Three Postmodern Picturebooks

机译:变异小说:三本后现代图画书中的叙事和插图性的金属肌病

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摘要

Narrative embedding is a common narrative structural device. Genette (1980, 1988) distinguished among various diegetic levels to explain the discrete narrative levels in embedded narratives and he defined metalepsis as the deliberate disturbing or breaking of narrative boundaries. Metalepsis, described by Malina (2002) as a mutinous narrative device, increases narrative complexity by obscuring or collapsing the boundaries between reality and fiction. She also stated that, “artistic exploitation of metalepsis has run rampant in the postmodern era” (p. 1). This essay focuses on three postmodern picturebooks and discusses how the various metaleptic transgressions in these selections create multifaceted and mutinous texts.
机译:叙事嵌入是一种常见的叙事结构装置。 Genette(1980,1988)在不同的营养层面上进行了区分,以解释嵌入叙事中的离散叙事层面,他将成肌症定义为故意扰乱或打破叙事边界。马利纳(Malina,2002)描述的“金属化”是一种叛变的叙事手段,它通过掩盖或破坏现实与小说之间的界限而增加了叙事的复杂性。她还指出,“在后现代时代,对肌肉的艺术性开发十分猖””(第1页)。本文着重于三本后现代图画书,并讨论了这些选择中的各种金属误解如何创造出多面且mu变的文本。

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