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Graffiti and Urban Revolt in Cairo

机译:开罗涂鸦与城市叛乱

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This paper focuses on the graffiti which have appeared in Cairo in the aftermath of the removal of Husni Mubarak and the so-called 'Revolution of January 25th'. It is based on a wide photographical corpus put together during 2011 and 2013, as well as interviews with street artists and a media screening on the subject. The paper opens with a short historical note on this exclusive object in the MENA region and also addresses methodological challenges. Then it turns to the analysis of two characteristics of the Cairene graffiti scene. First, it examines the urban dimension that accounts for graffiti as 'par excellence' urban art. Second, it analyses the insurrectionary essence of graffiti which makes them a subversive art form linked to (urban) political activism. It leads to the conclusion that graffiti are used by activists as a genuine, though alternative, media tool.
机译:本文着重讨论在取消Husni Mubarak和所谓的“ 1月25日革命”之后在开罗出现的涂鸦。它基于2011年和2013年期间收集的广泛摄影语料库,以及对街头艺术家的采访以及对该主题的媒体放映。本文以关于中东和北非地区这一独家目标的简短历史注释开头,并解决了方法上的挑战。然后转向对Cairene涂鸦场景的两个特征的分析。首先,它研究了将涂鸦视为“卓越的”城市艺术的城市维度。其次,它分析了涂鸦的起义本质,使涂鸦成为与(城市)政治行动主义联系在一起的颠覆性艺术形式。得出的结论是,活动家将涂鸦用作一种真正的媒介工具,尽管它是替代工具。

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  • 来源
    《Built environment》 |2014年第1期|14-33|共20页
  • 作者

    ENRIQUE KLAUS;

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  • 正文语种 eng
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  • 入库时间 2022-08-18 00:29:52

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