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Forces of Agglomeration: Allen Scott's The Cultural Economy of Cities Revisited

机译:集聚的力量:艾伦·斯科特的《城市文化经济再探》

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Sometime in the 1980s, it became obvious that cities in the West were undergoing some fundamental changes. Deindustrialization had more or less run its course in many cities in developed countries. In quite a few cases, however, urban economies were growing again - this time driven by a whole set of economic activities different from large-scale manufacturing. At first, researchers often focused on service activities, notably producer services (especially financial services) as drivers of the urban renaissance. In his book The Cultural Economy of Cities, Allen Scott, however, not only broadened the scope, but altered the way the new urban economy should be conceptualized by focusing on cultural industries: those economic activities in which the exchange value of their products are to a large extent determined by the aesthetic or semiotic content. In addition, he presented a firmly grounded analysis both of why these industries were emerging as engines of urban growth and why they were strongly oriented towards urban milieux. By posing that the underlying operating principles in cultural industries are quite similar to those in other knowledge-intensive industries and in financial industries, he could use a sophisticated theory of agglomeration economies in which small series, volatility of demand, vertical disintegration, innovation, knowledge exchange, and spatial proximity are woven seamlessly together. Allen Scott -from his vantage point in Los Angeles, a global cultural industries powerhouse - displayed not just a sensitivity and open-mindedness towards the social reality around him, but was also able to embed his observations within a much broader theoretical framework which aims to explain how changes in the economic structure of contemporary cities are related to certain spatial patterns, and how this is linked to the emerging global division of labour. He thus changed the way - certainly for me - cities should be looked at.
机译:在1980年代的某个时候,很明显,西方的城市正在发生一些根本的变化。在发达国家的许多城市中,去工业化或多或少都在发展。然而,在相当多的情况下,城市经济又在增长-这次是由不同于大规模制造业的整套经济活动所推动的。起初,研究人员通常专注于服务活动,特别是生产者服务(特别是金融服务),作为城市复兴的驱动力。然而,在艾伦·斯科特(Allen Scott)的著作《城市的文化经济》中,他不仅扩大了范围,而且通过关注文化产业改变了新城市经济概念化的方式:那些将产品交换价值的经济活动在很大程度上取决于美学或符号学的内容。此外,他提出了扎实的分析,既分析了为什么这些行业正在崛起为城市增长的引擎,又为什么它们强烈地面向城市环境。他认为文化产业的基本运作原理与其他知识密集型产业和金融业的基本运作原理十分相似,因此他可以使用集聚经济的复杂理论,其中包括小规模,需求波动,垂直分解,创新,知识交换和空间接近度无缝地编织在一起。艾伦·斯科特(Allen Scott)从全球文化产业强国洛杉矶的角度出发,不仅表现出对周围社会现实的敏锐和开放态度,而且还能够将他的观察结果嵌入更广泛的理论框架中,以期解释当代城市经济结构的变化如何与某些空间格局相关联,以及这如何与新兴的全球分工联系在一起。因此,他改变了方式-当然对我来说-应该研究城市。

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  • 来源
    《Built environment》 |2015年第3期|379-389|共11页
  • 作者

    ROBERT C. KLOOSTERMAN;

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  • 入库时间 2022-08-18 00:29:55

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