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LIFE AFTER ALSOP

机译:阿尔索普之后的生活

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Christophe egret has three black notebooks of varying sizes that accompany him wherever he goes. Looking through them is like getting a glimpse into the former Alsop design director's constantly engaging mind: his top 10 all-time favourite architects, sketches of monuments yet to be proposed, a list of the public's favourite buildings, a diagram of the make-up of his ideal practice. He says he has to buy new notebooks every month. Egret is in a relaxed mood and happy to share the sort of thoughts that litter the notebooks. His practice, Studio Egret West, celebrated its first birthday the previous night and he appears pleased to have this milestone under his belt. The setting is equally laid back - the practice's loft-conversion office in Clerkenwell is a gem of light and warmth at the top of several flights of stairs. Over Christmas, each person who reached the top of those stairs was asked which of the young designers they would like to kiss - not a bad proposition as most are under 35 and could have chosen careers as models.
机译:克里斯托弗·白鹭(Christophe egret)随身携带三个随身大小不同的黑色笔记本。翻阅它们就像瞥见前Alsop设计总监的一贯作风:他十大历史上最受喜爱的建筑师,尚未提出的古迹草图,公众最喜欢的建筑物清单,化妆图他理想的做法。他说,他每月必须购买新笔记本。白鹭心情轻松,乐于分享乱扔笔记本的想法。他的工作室Egret West工作室在前一天晚上庆祝了自己的第一个生日,他似乎很高兴拥有这个里程碑。环境同样悠闲-克莱恩韦尔(Clerkenwell)练习所的阁楼转换办公室是数个楼梯顶部的光明与温暖的瑰宝。在圣诞节期间,每位到达楼梯顶的人都被问到他们想亲吻哪个年轻的设计师-这不是一个坏主意,因为大多数人都在35岁以下,并且可以选择职业作为模特。

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  • 来源
    《Building》 |2006年第8414期|p.30-31|共2页
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  • 正文语种 eng
  • 中图分类 建筑科学;
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  • 入库时间 2022-08-18 00:38:36

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