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Role Of Tomb Paintings In The Life Of Riley

机译:墓葬画在莱利生活中的作用

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Painter Bridget Riley, known for her optical illusions, was interviewed in BD in 1984 when an exhibition of her decorative work at the Royal Liverpool Hospital opened at the RIBA. At the time, the hospital had a serious problem with graffiti, and had asked several artists to come up with ideas to decorate it more thoughtfully.rnRiley drew her ideas from Egyptian tomb paintings that she'd seen on holiday.rn"In Liverpool I rediscovered a very old principle of decoration: to articulate thernbones of architecture into a flowing environment," Riley told interviewer Douglas Stephen, pictured here with the artist at her studio. Riley's walls were painted by Graham Henderson and hand-printed using a silk screen onto vinyl, giving a silky finish that hung Like wallpaper. "Through silk-screening one can get beautiful saturated colours," she said.
机译:以视觉错觉着称的画家布里奇特·赖利(Bridget Riley)于1984年在BD接受了BD的采访,当时她在皇家利物浦医院的装饰作品展览在RIBA开幕。当时,该医院存在严重的涂鸦问题,并要求几位艺术家提出更周到的装饰想法。重新发现了一个非常古老的装饰原则:将建筑的立柱清晰地表述在流动的环境中。莱利的墙是由格雷厄姆·亨德森(Graham Henderson)绘画的,并用丝网印刷法手工印刷在乙烯基上,从而获得了像墙纸一样悬挂的柔滑表面。她说:“通过丝网印刷可以得到美丽的饱和色彩。”

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    《Building design》 |2009年第1851期|20|共1页
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  • 入库时间 2022-08-18 00:57:38

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