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Visual Culture as Historical Document: Sir John Drummond Hay and the Nineteenth-Century Moroccan Pottery in the National Museum of Scotland

机译:视觉文化作为历史文献:约翰·德拉蒙德·希尔爵士和苏格兰国家博物馆的19世纪摩洛哥陶器

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摘要

The National Museum of Scotland in Edinburgh possesses a substantial collection of unpublished nineteenth-century Moroccan ceramics, including 49 pieces from the collection of Sir John Drummond Hay, British Minister Plenipotentiary in Morocco from 1845 to 1886. The Drummond Hay wares are of considerable interest to scholars of history and visual culture alike, as the personal collection of a major figure in nineteenth-century Anglo-Moroccan relations, and as representatives of a part of Moroccan visual culture that has been largely ignored within recent discourses of Islamic art history. This paper is the result of a research project into the history of the Drummond Hay ceramic group, examining not only the formal qualities of the ceramics but also their particular social history, and the insight their story provides into perceptions of the Maghreb in nineteenth-century Britain.
机译:位于爱丁堡的苏格兰国家博物馆拥有大量未出版的19世纪摩洛哥陶瓷,其中包括49件来自1845年至1886年在摩洛哥的英国大臣全权代表约翰·德拉蒙德·海爵士的藏品。历史和视觉文化的学者都一样,都是19世纪盎格鲁-摩洛哥关系的主要人物的个人收藏,以及作为摩洛哥视觉文化一部分的代表,该部分在最近的伊斯兰艺术史讨论中已被广泛忽略。本文是对德拉蒙德·海(Drummond Hay)陶瓷集团历史的一项研究项目的结果,该研究不仅考察了陶瓷的形式品质,还考察了其特定的社会历史,并考察了他们的故事为人们提供了19世纪对马格里布的看法。英国。

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