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‘The quicksand of forgetfulness’: semantic dementia in One Hundred Years of Solitude

机译:“健忘的流沙”:一百年孤独中的语义痴呆

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This multidisciplinary article compares the pattern of memory loss described in Gabriel Garcı´a Ma´rquez’s One Hundred Years ofnSolitude to that exhibited by patients with semantic dementia (SD). In his renowned novel, Garcı´a Ma´rquez depicts the plight ofnMacondo, a town struck by the dreaded insomnia plague. The most devastating symptom of the plague is not the impossibilitynof sleep, but rather the loss of ‘the name and notion of things’. In an effort to combat this insidious loss of knowledge, thenprotagonist, Jose´ Arcadio Buendı´a, ‘marked everything with its name: table, chair, clock, door, wall, bed, pan’. ‘Studying theninfinite possibilities of a loss of memory, he realized that the day might come when things would be recognized by theirninscriptions but that no one would remember their use’. The cognitive impairments experienced by Macondo’s inhabitants arenremarkably similar to those observed in SD, a clinical syndrome characterized by a progressive breakdown of conceptualnknowledge (semantic memory) in the context of relatively preserved day-to-day (episodic) memory. First recognized in 1975,nit is now considered one of the main variants of frontotemporal lobar degeneration. Writing within the realm of magical realismnand investigating the power of language as a form of communication, Garcı´a Ma´rquez provides beautiful descriptions of the lossnof ‘the name and notion of things’ typical of the syndrome. He further speculates on ways to cope with this dissolution ofnmeaning, ranging from ‘the spell of an imaginary reality’ to Jose´ Arcadio’s ‘memory machine’, strategies that resonate withnattempts by semantic dementia patients to cope with their disease. Remarkably, Garcı´a Ma´rquez created a striking literaryndepiction of collective semantic dementia before the syndrome was recognized in neurology. The novel also provides anninspiring and human account of one town’s fight against ‘the quicksand of forgetfulness’.
机译:这篇多学科文章比较了加布里埃尔·加西亚·马奎兹(Gabriel Garcı´a Ma´rquez)的“一百年的孤独”所描述的记忆丧失模式与语义痴呆症(SD)患者所表现出的记忆丧失模式。加西亚·马克斯(GarcıaMa´rquez)在他著名的小说中描绘了nMacondo的困境,该镇被可怕的失眠瘟疫袭击。瘟疫最具有破坏性的症状不是无法入睡,而是失去了“事物的名称和概念”。为了克服这种隐性的知识损失,当时的主角何塞·阿卡迪奥·布恩迪亚(Jose´ Arcadio Buendı´a)用名称标记了一切:桌子,椅子,时钟,门,墙壁,床,锅。 “研究失去记忆的无限可能性,他意识到可能有一天会被它们的铭文识别,但是没人会记住它们的用途。” Macondo居民经历的认知障碍与在SD中观察到的异常相似,SD是一种临床综合征,其特征是在相对保留的日常记忆中,概念性知识(语义记忆)逐渐崩溃。 nit最早于1975年被认可,现在被认为是额颞叶变性的主要变体之一。在奇幻现实主义领域内写作并研究语言作为交流形式的力量,加西亚·马尔克斯(GarcıaMa´rquez)对这种综合症典型的“事物的名称和概念”的缺失提供了精美的描述。他进一步推测了应对这种无意义的解决方法的方式,从“想象中的现实的魔咒”到何塞·阿卡迪奥的“记忆机器”,这些策略都能使语义痴呆症患者与之共鸣以应对疾病。值得注意的是,加尔西亚·马奎兹(GarcıaMa´rquez)在神经病学认识到这种综合症之前,就创造出了惊人的集体语义痴呆症的文学作品。这部小说还提供了关于一个城镇与“健忘流沙”的斗争的令人鼓舞的和人性的描述。

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