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Rachmaninoff Plays Rachmaninoff

机译:拉赫玛尼诺夫戏剧拉赫玛尼诺夫戏剧

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Following on the heels of their Glenn Gould and Art Tatum releases (reviewed in n2008[39:1];159-161 and 2009[40:1];108-109, by Donald Manildi and Vincent Pelote, nrespectively), Zenph now presents “Re-Performances” of thirteen 78-rpm recordings by nSergei Rachmaninoff. These Re-Performances purport to “completely eliminate the tech-nnological limitations of the past” by using “computerized capture of attacks, key-speeds, npitches,tdurations,tplustinterpretivetnuances,tincludingtthosetaddedtbytRachmaninoff’stnalwaystsubtletpedaling.”tThetresultingthigh-defnitiontMIDItfletistthentplayedtbacktontatn1909tSteinwaytpianotretrofttedtwithtatmoderntreproducingtsystem.tThetZenphtwebsitetnclaimstthatt“thististeveryttouchtofteverytnotetfromtthirteentoftRachmaninoff’storiginaltn78-rpm records, lovingly re-discovered and re-performed.” These are bold claims indeed
机译:紧随其后的Glenn Gould和Art Tatum发行(分别由Donald Manildi和Vincent Pelote分别于n2008 [39:1]; 159-161和2009 [40:1]; 108-109进行审查),Zenph现在呈献nSergei Rachmaninoff录制了13封78 rpm录音的“重新表现”。这些重新表演旨趣“彻底消除了过去的技术含量nnological限制”使用tThetresultingthigh-defnitiontMIDItfletistthentplayedtbacktontatn1909tSteinwaytpianotretrofttedtwithtatmoderntreproducingtsystem.tThetZenphtwebsitetnclaimstthatt“thististeveryttouchtofteverytnotetfromtthirteentoftRachmaninoff'storiginaltn78“的攻击,键速度,npitches,tdurations,tplustinterpretivetnuances,tincludingtthosetaddedtbytRachmaninoff'stnalwaystsubtletpedaling。计算机化捕获” -rpm记录,精心重新发现和执行。”这些确实是大胆的主张

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    《ARSC Journal》 |2011年第1期|p.121-123|共3页
  • 作者

    Malik Farhan;

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  • 入库时间 2022-08-18 01:02:22

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