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The Way She Looks: A History of Female Gazes in African Portraiture - Photographs from the Walther Collection

机译:她所寻找的方式:非洲肖像画的女性凝视的历史 - 来自Walther收藏的照片

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摘要

Facing each other in a way symbolic of a shift from forced submission to agency, the two separated galleries that house The Way She Looks: A History of Female Gazes in African Portraiture focus on the Black female body from dual perspectives, as both sitter and photographer, over 200 years. Guest curated by Sandrine Colard, the exhibition draws upon the vast private Walther Collection, including photographs, prints, cartes de visite, postcards, albums, illustrations, videos, and books from as early as the 19th century, and concentrating on western, southern, and eastern Africa. Utilizing this collection, Colard juxtaposes often static archival photographs of subservient, colonial subjects with far more dynamic images taken by 20th- and 21st-century African artists who reclaim the lens and the gaze, using Black femininity as their catalyst.
机译:在彼此面对的方式象征着从强迫提交给机构的转变,这两个分隔的画廊,他们看起来像她所看到的方式:从双重视角的非洲人肖像侧重于非洲人肖像的历史,作为空手和摄影师,超过200年。展览会策划的客人展示了众多私人Walther系列,包括照片,印刷品,笛卡尔德,明信片,专辑,插图,视频以及从19世纪早期的书籍,并专注于西部,南方,和东非。利用这一系列,Colard并置通常静态档案照片,殖民主题的血液归档照片,具有20世纪和21世纪的非洲艺术家拍摄的更具活力的图像,他们使用黑色女性作为其催化剂。

著录项

  • 来源
    《Archivaria》 |2020年第89期|197-204|共8页
  • 作者

    ANNISSA MALVOISIN;

  • 作者单位

    University of Toronto;

  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-18 20:57:46

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