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HISTORY & THEORY

机译:历史与理论

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What has become of the academy? In the pages of journals such as Praxis, Log, and Perspecta, as well as in a recent rash of symposia at schools around the world, criticality and theory, not long ago at the center of pedagogical thinking, have come under attack by proponents of "post-critical" thought, or as it has been more recently refigured, "projective architecture." Some colleges are cutting back on theory offerings, liberating the core reguirements-and with them the faculty—for courses that seem more directly applicable to the education of an architect, such as instruction in Maya animation software or branding. Other schools are doing away with history/theory programs entirely under the guise of streamlining and efficiency, glad to put troublesome theorists more directly under the supervision of designers. Not since Walter Gropius's mythical elimination of history from the GSD curriculum has critical theory been so under attack.
机译:这所学院变成了什么?在Praxis,Log和Perspecta等期刊的页面上,以及最近在世界各地的学校举办的座谈会上,批评和理论(不久前都处于教学思想的中心)受到了支持者的抨击。 “后批判”思想,或者如最近重新定义的那样,是“投射式体系结构”。一些学院正在削减理论产品,解放核心要求以及与之相关的教职员工,以开设似乎更直接适用于建筑师教育的课程,例如Maya动画软件或品牌培训。其他学校完全以精简和高效为幌子取消历史/理论课程,很高兴将麻烦的理论家更直接地置于设计师的监督之下。自从沃尔特·格罗皮乌斯(Walter Gropius)从GSD课程中神话般地消除历史以来,批评理论就没有受到如此攻击。

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