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Brian Ulrich is far from the only artist to take American consumerism as his theme, but he may be the one with the best timing

机译:布莱恩·乌尔里希(Brian Ulrich)远非唯一以美国消费主义为主题的艺术家,但他可能是时机最好的艺术家。

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摘要

It was in 2001 that Ulrich, a photographer based in Chicago, began a wide-ranging exploration of consumer culture, a project called Copia. In the first two phases of the project, "Retail" and "Thrift," he documented the buying habits of the middle and lower classes, capturing a historic boom in consumption.rnAt the boom's height, back in 2005, Ulrich often would drive by a closed-up grocery store near his home. Bounded by a strip of asphalt below and a ribbon of night sky above, it looked, he thought, a bit like a Rothko painting. He took some photos, but didn't come across many other shuttered stores. At least, not until the epic bust, which he also was on hand to chronicle.
机译:正是在2001年,驻芝加哥的摄影师Ulrich开始了对消费文化的广泛探索,一个名为Copia的项目。在项目的前两个阶段(“零售”和“节俭”)中,他记录了中下阶层的购买习惯,记录了历史性的消费热潮。rn在繁荣时期,早在2005年,乌尔里希经常开车他家附近一家封闭的杂货店。他认为,它被下面的一条沥青和上面的夜空所束缚,看上去有点像罗斯科的画。他拍了一些照片,但没有碰到其他许多关闭的商店。至少直到史诗般的萧条,他也准备编年史。

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  • 来源
    《Architect》 |2010年第3期|p.55|共1页
  • 作者

    AMANDA KOLSON HURLEY;

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