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Between the Lines

机译:线之间

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When cass gilbert designed the Palace of Fine Arts, a classical limestone edifice, for the 1904 World's Fair in St. Louis, it was the only structure intended to remain once that centennial celebration of the Louisiana Purchase ended. It still stands today as home to another palace of the arts: the St. Louis Art Museum. After nearly a century in its historic home, the museum, needing more space, decided to expand on its Art Hill site in Forest Park. The museum board turned to London-based architect David Chipperfield, Hon. FAIA, to create a new wing that would "not compete with, nor take away from, the historic stature of the main building," says Roger McFarland, AIA, group vice president at St. Louis-based HOK, which served as the associate architect. The result is a 200,000-square-foot addition that hides parking for 300 cars underneath a single level incorporating 21 new galleries and a new cafe. The structure is largely composed of polished concrete with local river aggregate. The material continues in the building's unifying formal element: a 40,000-square-foot concrete-grid ceiling canopy.
机译:当卡斯·吉尔伯特(Cass gilbert)为1904年在圣路易斯举行的世博会设计一座古典石灰石大厦-美术宫时,它是唯一的打算保留下来的路易斯安那购买百年纪念活动结束。今天,它仍然是另一个艺术殿堂的所在地:圣路易斯艺术博物馆。在其历史悠久的住宅中待了近一个世纪之后,该博物馆需要更多空间,决定在其位于森林公园的艺术山遗址上进行扩建。博物馆董事会求助于伦敦的建筑师大卫·奇珀菲尔德。总部位于圣路易斯的HOK集团副总裁AIA罗杰·麦克法兰(FAG)说,FAIA打造了一个新的机翼,该机翼“不会与主楼的历史地位竞争,也不会与其脱离”。建筑师。结果是增加了200,000平方英尺的面积,在单个楼层下隐藏了300辆汽车的停车位,其中包含21个新画廊和一个新咖啡馆。该结构主要由带有局部河道的抛光混凝土组成。该材料在建筑物统一的形式元素中继续存在:一个40,000平方英尺的混凝土格栅天棚。

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  • 来源
    《Architecture》 |2013年第7期|5254|共2页
  • 作者

    Katie Gerfen;

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  • 入库时间 2022-08-18 00:22:55

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