For the past six months, Adam Nathaniel Furman has been the lone architect ensconced with a host of artists and academics at the British School at Rome, as the recipient of the academy's 2014-2015 Rome Prize in Architecture. During his stay, he has drawn on a range of influences-from Giorgio De Chirico's paintings to Italo Calvino's novels to meanderings with an architectural historian through the city's dodgiest districts-to create a mixed-media evocation of the city, which was on display at the British School in March. Here, Furman, who is also the co-director of two London-based firms, Madam Studio and Saturated Space, discusses the drawings, computer animations, films, 3D-printed ceramics, and capriccios that make up his exhibition, the complex legacy of a forgotten fascist-era architect, and how Rome's many architectural layers make it "the urban version of the Internet."
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机译：在过去的六个月中，亚当·纳撒尼尔·富尔曼（Adam Nathaniel Furman）一直是罗马英国学校（British School of Rome）众多艺术家和学者的唯一建筑师，并获得该学院2014-2015年度罗马建筑奖。在他逗留期间，他汲取了多种影响力，从乔治·德·奇里科的画作到伊塔洛·卡尔维诺的小说，再到与建筑史学家在这座城市最繁华的地区之间的蜿蜒曲折，创造了这座城市的混合媒体风格，并在展览中展出。三月份的英国学校。在这里，弗曼（Furman）还是伦敦两家公司Madam Studio和Saturated Space的联合董事，讨论构成其展览的图纸，计算机动画，电影，3D打印陶瓷和随想曲，这是他的复杂遗产。一个被遗忘的法西斯时代的建筑师，以及罗马的许多建筑层次如何使其成为“互联网的城市版本”。
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