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The Reach at the John F. Kennedy Center for the Performing Arts

机译:约翰·肯尼迪表演艺术中心的访问范围

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There are few architectural commissions as distinctly American, or as distinctly political, as a national presidential memorial in the nation's capital— especially when that memorial is for a personal hero. Steven Holl, FAIA, vividly remembers watching John F. Kennedy's inauguration when he was in junior high, and for him, the opportunity to design The Reach, a 72,000-square-foot expansion of the John F. Kennedy Center for the Performing Arts in Washington, D.C.— which serves not only as a dynamic arts institution, but also as a living memorial to the 35th U.S. president-offered "more than a challenge of architecture," he says. "It's a piece of our history." The original Kennedy Center was designed by Edward Durell Stone and opened in 1971. The height of New Formalism's Cold War return to classical form and material, it rejected Modernism's industrial steel and glass in favor of bronze and marble (albeit in the form of panels over a steel frame). But the building's formality is not only found in its materials—the experience is one to match.
机译:很少有建筑委员会像美国总统府的纪念馆那样具有明显的美国人或政治意义,尤其是当纪念馆是为纪念个人英雄时。 FAIA的史蒂芬·霍尔(Steven Holl)生动地回忆起约翰·肯尼迪(John F. Kennedy)初中时的就职典礼,并为他设计了The Reach,这是约翰·肯尼迪(John F. Kennedy)表演艺术中心面积72,000平方英尺的扩建部分他说,华盛顿特区不仅是一家充满活力的艺术机构,而且还是美国第35任总统的活着纪念馆,提供的“不仅仅是建筑方面的挑战”。 “这是我们历史的一部分。”最初的肯尼迪中心由爱德华·杜雷尔·斯通设计,并于1971年开业。新形式主义的冷战达到了古典形式和材料的高度,它拒绝了现代主义的工业用钢和玻璃,而青铜和大理石(尽管以面板形式钢框架)。但是建筑物的形式不仅在其材料中找到,而且经验是可以与之匹敌的。

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  • 来源
    《Architecture》 |2019年第10期|118-143|共26页
  • 作者

    KATIE GERFEN;

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  • 入库时间 2022-08-18 04:38:58

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