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Exhibitions: On the Road to Venice: 9th Architecture Biennale

机译:展览:在通往威尼斯的道路上:第九届建筑双年展

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摘要

To the list of creative folk captivated by Venice, Italy—from Tintoretto to Thomas Mann—add the modest Staff Of ARCHITECTURAL RECORD. We were drawn there, not as artists, but in the unusual role of curators for the U.S. Pavilion at the 9th International Architecture Biennale held there. Invited by the Bureau of Educational and Cultural Affairs of the U.S. Department of State, we oversaw an architectural show that opened September 12 and is closing on November 7. The location was sublime: The U.S. Pavilion, which the State Department leases from the Peggy Guggenheim Collection in Venice, is one of 33 such pavilions in the Giardini di Castello, a serendipitous public garden accustomed to alternating annual presentations of cutting-edge art and architecture. Nearby, a massive exhibition of international architecture filled the cavernous 16th-century Corderie of the Arsenale, a former shipbuilding yard.
机译:从丁托列托(Tintoretto)到托马斯·曼(Thomas Mann),在被意大利威尼斯迷住的富有创造力的民间人士名单中,还要加上谦虚的ARCHITECTURAL RECORD。我们被吸引到这里的并不是艺术家,而是在第九届国际建筑双年展美国馆的策展人中扮演的特殊角色。受美国国务院教育和文化事务局的邀请,我们监督了一场于9月12日开幕并于11月7日闭幕的建筑表演。地点十分优越:美国馆是美国国务院从佩吉古根海姆(Peggy Guggenheim)租借的威尼斯的藏品是Giardini di Castello的33个此类展馆之一,Giardini di Castello是一个偶然的公共花园,习惯于每年交替展示前沿艺术和建筑。在附近,一个大型国际建筑展览席卷了十六世纪的阿森纳勒(Asenale)曾是造船厂的巨大洞穴。

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