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Daniel Libeskind Superimposes The Present On The Past At The San Francisco Contemporary Jewish Museum

机译:丹尼尔·里伯斯金(Daniel Libeskind)在旧金山当代犹太博物馆将现在的过去叠加起来

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Daniel Libeskind, by happenstance or design, has practically become the official architect of Jewish museums worldwide, but that trajectory was near its beginning when he received the commission, in 1998, for San Francisco's Contemporary Jewish Museum (CJM). His Jewish Museum Berlin [record, January 1999, page 76] and Felix-Nussbaum-Haus, in Osnabrueck, Germany, were not yet complete, and his Danish Jewish Museum [record, October 2004, page 140] barely conceived. While those European institutions would rise in the dark shadow of the Holocaust, he and the museum determined that the CJM's building should, instead, celebrate California's far brighter Jewish history.
机译:丹尼尔·里伯斯金(Daniel Libeskind)偶然地或偶然地成为了世界范围内犹太博物馆的正式建筑师,但当他于1998年获得旧金山当代犹太博物馆(CJM)的委托时,这一轨迹已接近其开始。他的柏林犹太博物馆[记录,1999年1月,第76页]和位于德国奥斯纳布吕克的费利克斯-努斯鲍姆-豪斯尚未建成,而他的丹麦犹太博物馆[记录,2004年10月,第140页]几乎没有想到。尽管这些欧洲机构将在大屠杀的黑暗阴影中崛起,但他和博物馆决定,CJM的建筑应该庆祝加利福尼亚州光明得多的犹太历史。

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