首页> 外文期刊>Architectural record >Flirting with Disaster
【24h】

Flirting with Disaster

机译:与灾难调情

获取原文
获取原文并翻译 | 示例
           

摘要

The move of the Whitney Museum of American Art from its Marcel Breuer-designed quarters on Manhattan's Upper East Side to the city's Meatpacking District presented a host of challenges, flooding among them. The museum knew that the new downtown site-sandwiched between the Hudson River and the increasingly popular High Line-would be at risk in an intense storm. That's one of the reasons why the building's architects, Renzo Piano Building Workshop (RPBW) and Cooper Robertson, opted to locate the permanent galleries and art storage for the recently opened museum (record, May 2015, page 181) in the upper reaches of the eight-story structure. It is also why they raised the lobby a foot and a half above the 500-year-flood plain.
机译:惠特尼美国艺术博物馆从其在曼哈顿上东区的马塞尔·布劳尔(Marcel Breuer)设计的住宅区迁至该市的肉类包装区,这带来了许多挑战,其中包括大量挑战。博物馆知道,夹在哈德逊河和日益流行的高线之间的新市区将面临强烈风暴的危险。这就是该建筑的建筑师,伦佐·皮亚诺建筑工作室(RPBW)和库珀·罗伯逊(Cooper Robertson)选择在该博物馆的上游位置为最近开放的博物馆(记录,2015年5月,第181页)设置永久性画廊和艺术仓库的原因之一。八层结构。这也是为什么他们将大厅抬高了500年洪水泛滥平原的一英尺半。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号