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TRANSGRESSION AND PROGRESS IN CHINA: WANG SHU AND HE LITERATI MINDS

机译:中国的进步与进步:王舒和他的文学思想

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摘要

The notion of progress in architecture has for centuries depended on decay. The relationship between progress and regress is one of the architectural norms of our age - the hallmark of the mainstream. It is inherent in the linear concept of time and forms one of the pillars of Western modernity. The old justifies the new, just as the rationale for the new depends on the old. In our unending quest for progress, we are perpetually bombarded with images of architectural newness, the vitality of which derives less from invention or innovation than its separation from, and juxtaposition with, what it has replaced. This phenomenon, the roots of which extend deep into Western antiquity, is starkest where change is most widespread and rapid: areas that are today beyond the conventional Western world and long considered peripheral - geographically, intellectually and even racially.
机译:几个世纪以来,建筑进步的概念一直取决于衰变。进步与退步之间的关系是我们这个时代的建筑规范之一-主流的标志。它是时间的线性概念所固有的,并构成了西方现代性的支柱之一。旧事物为新事物辩护,正如新事物的原理取决于旧事物一样。在我们不断追求进步的过程中,我们不断受到建筑新颖性的冲击,其生命力源自发明或创新,而不是与发明或创新的分离和并置。这种现象的根源深深地追溯到西方古代,它是变化最广泛和最迅速的最鲜明的地方:今天这些地区已经超出了传统的西方世界,并且长期以来被认为是周边地区,无论是在地理上,在智力上,甚至在种族上。

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