Meta-Utopia and the Box: Two Stories about Avant-Garde Projects

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• 来源
  《Architectural Design》 |2019年第2期|130-135|共6页
• 作者

  LeiZheng;

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• 正文语种 eng
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  MetaUtopia: Between Process and Poetry exhibition; Zaha Hadid Gallery; London; Philippe Morel (EZCT); Gilles Retsin; Daniel Widrig; Manuel Jimenez; Robert StuartSmith; Shajay Bhooshan; Architectural Association (AA) School of Architecture; AiBuild; Automata Technologies; Eragatory; Jelle Feringa; Minimaforms; Research Clusters 4, 5 and 6; AD Wonderlab; Bartlett School of Architecture; University College London (UCL); ZHA CODE / Patrik Schumacher; Latent Utopias: Experiments within Contemporary Architecture; Zaha Hadid; Landesmuseum Joanneum; Graz; Austria; algorithmic chair; INT; Mickey Matter; Stream; Seamless collection; Established Sons; Zoey Tan; Claudia Tanskanen; Qianyi Li; Xiaolin Yin; Parametric Urbanism research; Beijing; OMA; Parc de la Villette; Paris; Galaxy SOHO; China; qiang pai (forced arrangement); Reinier de Graaf; Kazimir Malevich; Black Square; Superstudio; Rem Koolhaas; Delirious New York;

  机译：Metautopia：过程与诗歌展;Zaha Hadid画廊;伦敦;菲律宾·莫雷尔（EZCT）;吉莉尔·德里格;丹尼尔·德里格;罗伯特·斯图尤特;罗伯特·斯图说;莎娜·博山;建筑协会（AA）建筑学院;aibuild;automata Technologies;自动化;jelle feringera;minimaforms;研究集群4,5和6;ad wonderlab;巴特利特建筑学学院;伦敦大学学院;Zha Code / Patrik Schumacher;当代建筑中的潜在实验;Zaha Hakid;Landesmuseum Joanneum;Graz;奥地利;算法;int;ick;米奇数量;无缝收集;zoey tan;zoey tan;zoey兰;q y李;小林尹;北京;鄂米;奥巴;巴黎;银河;Galisy Soho;中国;强力（强迫安排）;Reinier de Graf;Kazimir Malevich;黑色广场;Superstudio;Rem Koolhaas;令人惊讶的纽约;