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From Theory to Praxis: Digital Tools and the New Architectural Authorship

机译:从理论到实践:数字工具和新的建筑著作权

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As Mario Carpo has argued, a relationship between architecture and its authorship that held sway from Alberti through to the rise of Modernism has been subverted in the digital era. The variability inherent in digital design undermines an authorship that rests on conceptions of identity - of an architect's design and its built realisation, for example.This same variability, however, invites new perspectives on hand-crafted and culture-specific building traditions that have long been associated with the premodern. Many recent experimental parametric construction projects, especially in the Eastern world, demonstrate how culturally specific approaches to tectonics, materiality and the built environment can continue to play a critical role in architectural expression.
机译:正如马里奥·卡波(Mario Carpo)所论证的那样,在数字时代,从阿尔伯蒂(Alberti)一直到现代主义兴起的建筑及其作者之间的关系已被颠覆。数字设计固有的可变性破坏了基于身份概念的作者身份-例如建筑师的设计及其建成的实现形式-然而,这种相同的可变性引发了人们对具有悠久历史的手工和特定于文化的建筑传统的新见解与前现代有关。最近的许多实验性参数化建设项目,尤其是在东方世界,证明了针对文化的构造,物质性和建筑环境的特定方法如何继续在建筑表达中发挥关键作用。

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    《Architectural Design》 |2018年第6期|94-101|共8页
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  • 入库时间 2022-08-18 05:03:13

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