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DOMUS AUREA, THE ‘SALA DELLE MASCHERE’: CHEMICAL AND SPECTROSCOPIC INVESTIGATIONS ON THE FRESCO PAINTINGS

机译:DOMUS AUREA,“ SALA DELLE MASCHERE”:壁画上的化学和光谱学研究

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In this paper, data collected from the wall fresco paintings of room 114, called the ‘Sala delle maschere’, of the Domus Aurea in Rome is analysed. The chemical composition of the efflorescence is investigated by infrared spectroscopy. The colour palette is determined by means of EDXRF, Raman spectroscopy and visible reflectance spectroscopy. EDXRF has allowed an extensive mapping of the elements present in the pigments and plaster; whilst in-situ Raman spectroscopy has been determinant for attributing the molecular composition of the pigments in a number of doubtful cases. Most pigments identified are typical of Imperial Roman fresco paintings (first to fourth centuries AD) (Ward-Perkins 1981); more interestingly, we found evidence of fragments painted with Egyptian blue, which was normally used mostly in official rooms.
机译:本文分析了从罗马多莫斯·奥里亚(Domus Aurea)114房间的壁画壁画中收集的数据,这些壁画被称为“萨拉·德尔·马切尔”。通过红外光谱研究了风化的化学成分。通过EDXRF,拉曼光谱和可见反射光谱来确定调色板。 EDXRF允许对颜料和灰泥中存在的元素进行广泛的绘制;而原位拉曼光谱法在许多可疑的情况下是决定颜料分子组成的决定因素。鉴定出的大多数颜料是帝国罗马壁画的典型画作(公元1至4世纪)(Ward-Perkins 1981);更有趣的是,我们发现了埃及蓝色颜料碎片的证据,这种碎片通常在官方房间使用。

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